Saturday, 22 March 2014

Post colonial theory

Name: Goswami Gayatri Mahipatgiri
Paper: 5, MA –part -1-SEM -2
Topic: post colonial theory
Submitted to: department of English, maharaja Krishna kumarsingji Bhavnagar University 
*        Colonialism :
                            The imperialist Expansion of Europe into the rest of the  world during the last four hundred years in which a dominant   imperium or center carried on a Relation .ship of central and influence aver its margins or colonies .this relation tended to extend to social , pedologagical ,economic ,political, and broadly culturally exchanges often with a hierarchical European setter class and local ,educated elite class forming layers between the European “mother nation and the various indigenous people who were controlled such a system carried within it in inherent nations of racial inferiority and exotic athemess.

*  Post-colonialism:
                             Broadly a study of the effects of colonialism on cultures and societies it is concerned with both how European nation conquered and controlled “third world” cultures and haw these groups have since responded to and resisted those encroachments .post-colonialism, as both a body of theory  and a study of political and cultural changes , as gene and continues to go through three broad stag
                                                                                                                               
1.   An initial awareness of the social, psychological, and cultural inferiority enforced by being in a colonized state.
2.  The struggle for ethnic, cultural and political autonomy.
3.  A growing awareness of cultural overlap and hybridist.

*      Post-colonial is an academic discipline featuring methods of intellectual discourse that analyzed ,explain ,and respond to the cultural legacies of  colonialism and of imperialism , to the human consequences of country and establishing settlers for the economic exploitation of the native people and their land .drawing from post modern school of  thought ,post- colonialism question and reinvents modes of cultural perception , the way of viewing and of being viewed .As Anthropology  , post- colonialism Records human relation among the colonial nation and the “subaltern”  peoples exploited by colonial rule .as critical theory ,post-colonial present , explain and illustrates the ideology and the praxis of neo- colonialism ,with example drawn from the  humanities history and political science, philosophy and Marxist theory , sociology anthropology ,and human geography  ;the cinema  , linguistics and post-colonial literature , of in which the antic – conquest narrative genre present the stories of colonial subjection of the subaltern man and women
  
*        Colonialism was presented as “the extension of civilization “       which ideological justified the self –ascribed superiority of the non- western world which josepherest rename espoused in do reformed  intellectual moral , where by imperial stewardship would affect the intellectual moral reformation of the colored people of the  lesser cultures of the world.

*   Post -colonial theory :
“A theory on end dons for life after foreign rule”
.
The obvious implication of the term post-colonial is that Is refers to a period coming after the end of colonialism, such a commonsense understanding has much to commend it   , but that sense   of an ending of the completion of one period of history and the emergence of another   , is as we shall see , hard to maintain in any simple or unproblematic fashion on the era of the great European colonial empires is over ,and that in itself is a fact of major significance
                              The Anglo-Irish novelist j.G.farrell, a post-colonial chronicler of the British Empire’s moment of crises and certainly chronicler of the on supporter of the system, nevertheless singled out the decline and dissolution of the empire as the important event of his lifetime.

*                        The dismantling of structures of colonial control, beginning in Ernest in the late 1950s constituted a remarkable historical moment, as country after country gained independence from the colonizing power.

*    An introduction to post – colonial theory:
         
         Sense in wich a colonizing power may itself have once been a colony is one of the starting-point for Joseph Conrad’s heart of darkness. I have seen articles in a great many places,In the special issue of social text on postcoloniality, which push the use of the term colonialism back to such a configuration as the Incas ,the Ottomans and the Chinese, well before the Europeans colonial empires began :and than bring the term forward to cover all kind of national oppressions; as ,for example , the savagery of the Indonesian government in east timer. “Colonialism” they becomes a trans-historical thing, always present and always in process of dissolution in one pert of the world or another.      

*    A major contention in post-colonial studies:

                         Post-colonial studies is that the overlapping development of the ensemble of European colonial empires, British, French, Duch, Spanish, Portuguese, Belgium, German- from the sixteenth century onwards, and their dismantling in the second half of the twentieth century .the critical analysis of the history, culture, literature, and modes of discourse that are specific to the former colonies of England, spain, france, and other European imperial powers.

*    Use in term “post-colonial”:-
                   
          However, to cover all the culture effected by the imperial process from the moment of colonialism to the present day .

*    Definition of the “post-colonial”:
             
                  Of course vary wildly ,but for me the concept proves most useful not when it is used synonymously with a post –independence historical period in once –colonized nation ,but rather when it locates a specifically anti or post colonial discursive purchase in culture, one wich begins in the moment that colonial power inscribes itself into the body and space of its others and wich naptimes .


Key Terms in Post-Colonial Theory

*  Colonialism:
                                  The imperialist expansion of Europe into the rest of the world during the last four hundred years in which a dominant emporium or center carried on a relationship of control and influence over its margins or colonies. This relationship tended to extend to social, pedagogical, economic, political, and broadly culturally exchanges often with a hierarchical European settler class and local, educated (compactor) elite class forming layers between the European "mother" nation and the various indigenous peoples who were controlled. Such a system carried within it inherent notions of racial inferiority and exotic otherness.
*  post-colonialism:



 Broadly a study of the effects of colonialism on cultures and societies. It is concerned with both how European nations conquered and controlled "Third World" cultures and how these groups have since responded to and resisted those encroachments. Post-colonialism, as both a body of theory and a study of political and cultural change, has gone and continues to go through three broad stages:
1.     an initial awareness of the social, psychological, and cultural inferiority enforced by being in a colonized state
2.     the struggle for ethnic, cultural, and political autonomy
3.     a growing awareness of cultural overlap and hybridity

*   ambivalence:


 the ambiguous way in which colonizer and colonized regard one another.  The colonizer often regards the colonized as both inferior yet exotically other, while the colonized regards the colonizer as both enviable yet corrupt.  In a context of hybridity, this often produces a mixed sense of blessing and curse.


*    Alterity: 


"the state of being other or different"; the political, cultural, linguistic, or religious other. The study of the ways in which one group makes themselves different from others.

*    education:
                            the process by which a colonizing power assimilates either    a subaltern native elite colonial or a larger population to its way of thinking and seeing the world.
*    Diaspora:            

the voluntary or enforced migration of peoples from their native homelands.  Diaspora literature is often concerned with questions of maintaining or altering identity, language, and culture while  in another culture or country.


*    essentialism

the essence or "whiteness" of something.  In the context of race, ethnicity, or culture, essentialism suggests the practice of various groups deciding what is and isn't a particular identity.  As a practice, essentialism tends to overlook differences within groups often to maintain the status quo or obtain power.  Essentialist claims can be used by a colonizing power but also by the colonized as a way of resisting what is claimed about them.


*    ethnicity:

a fusion of traits that belong to a group–shared values, beliefs, norms, tastes, behaviors, experiences, memories, and loyalties. Often deeply related to a person’s identity.


*    exoticism

the process by which a cultural practice is made stimulating and exciting in its difference from the colonializer’s normal perspective. Ironically, as European groups educated local, indigenous cultures, schoolchildren often began to see their native lifeways, plants, and animals as exotic and the European counterparts as "normal" or "typical."


*    hegemony

the power of the ruling class to convince other classes that their interests are the interests of all, often not only through means of economic and political control but more subtly through the control of education and media

.
*    Hybridity:

*    new transcultural forms that arise from cross-cultural exchange. Hybridity can be social, political, linguistic, religious, etc. It is not necessarily a peaceful mixture, for it can be contentious and disruptive in its experience.  Note the two related definitions:
*    catalysis: the (specifically New World) experience of several ethnic groups interacting and mixing with each other often in a contentious environment that gives way to new forms of identity and experience.
*    creolization: societies that arise from a mixture of ethnic and racial nixing to form a new material, psychological, and spiritual self-definition.

*    identity: 

the way in which an individual and/or group defines itself. Identity is important to self-concept, social mores, and national understanding.   It often involves both essentialism and othering.


*    ideology: 

"a system of values, beliefs, or ideas shared by some social group and often taken for granted as natural or inherently true" (Bordwell & Thompson 494)


*    language:

In the context of colonialism and post-colonialism, language has often become a site for both colonization and resistance. In particular, a return to the original indigenous language is often advocated since the language was suppressed by colonizing forces.  The use of European languages is a much debated issue among postcolonial authors.
abrogation: a refusal to use the language of the colonizer in a correct or standard way.

appropriation: "the process by which the language is made to 'bear the burden' of one's own cultural experience."

*    magical realism:

the adaptation of Western realist methods of literature in describing the imaginary life of indigenous cultures who experience the mythical, magical, and supernatural in a decidedly different fashion from Western ones. A weaving together elements we tend to associate with European realism and elements we associate with the fabulous, where these two worlds undergo a "closeness or near merging."


*    mapping: 

the mapping of global space in the context of colonialism was as much prescriptive as it was descriptive.  Maps were used to assist in the process of aggression, and they were also used to establish claims.  Maps claims the boundaries of a nation, for example.


*    metanarrative:

("grand narratives," "master narratives.") a large cultural story that seeks to explain within its borders all the little, local narratives.  A metanarrative claims to be a big truth concerning the world and the way it works.  Some charge that all metanarratives are inherently oppressive because they decide whether other narratives are allowed or not.



*    mimicry:


the means by which the colonized adapt the culture (language, education, clothing, etc.) of the colonizer but always in the process changing it in important ways.  Such an approach always contains it in the ambivalence of hybridist.


*    nation/nation-state:

an aggregation of people organized under a single government. National interest is associated both with a struggle for independent ethnic and cultural identity, and ironically an opposite belief in universal rights, often multicultural, with a basis in geo-economic interests. Thus, the move for national independence is just as often associated with region as it is with ethnicity or culture, and the two are often at odds when new nations are formed.


*    oirientalism:

the process (from the late eighteenth century to the present) by which "the Orient" was constructed as an exotic other by European studies and culture. Orientalism is not so much a true study of other cultures as it is broad Western generalization about Oriental, Islamic, and/or Asian cultures that tends to erode and ignore their substantial differences.
*    other

the social and/or psychological ways in which one group excludes or marginalizes another group. By declaring someone "Other," persons tend to stress what makes them dissimilar from or opposite of another, and this carries over into the way they represent others, especially through stereotypical images.

*    race

the division and classification of human beings by physical and biological characteristics.  Race often is used by various groups to either maintain power or to stress solidarity. In the 18th and19th centuries, it was often used as a pretext by European colonial powers for slavery and/or the "white man's burden."
*    semiotics:

a system of signs which one knows what something is. Cultural semiotics often provide the means by which a group defines itself or by which a colonial zing power attempts to control and assimilate another group.


*    space/place:

space represents a geographic locale, one empty in not being designated. Place, on the other hand, is what happens when a space is made or owned.  Place involves landscape, language, environment, culture, etc.

*    subaltern:

 the lower or colonized classes who have little access to their own means of expression and are thus dependent upon the language and methods of the ruling class to express themselves.
*   wording:

 the process by which a person, family, culture, or people is brought into the dominant Eurocentric/Western global society.





Northrop Frye:" Arhetypal ctriticism "

Assignment topic: Northopfrye’s Archetypal Criticism
Name: Goswami Gayatri Mahipatgiri
Roll no.:09
M.A. Semester – 2
Paper no.:7 literary theory and criticism
Submitted to: Department of English
Smt. S. B. Gardi
Maharaja Krishnakumar sinhji Bhavnagar University












Introduction: Northrop Frye
Harman Northrop Frye was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symnely, which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism, one of the most important work of literary theory publish in the 20th century.
Archetypal literary criticism:
Term comes from “Arch” both and adjective and a prefix, and “Type” noun “arch” as an adjective means literary “chief” or “principal”. As a prefix, it refers to “highest” or “most important” consider word like “Archangel” or “Archbishop”. “Type” from the Latin “Typus” means as “image” or “impression”. It refers to general character train or structure commonly had in a certain group or class; it is an embodiment of or a example, a mode with ideal features. A type may be figure, representation, or a symbol of something to come, consider work like “typical” or “typify” and a shadow.
Be a narrow definition and an archetype is an original mode or type after which similar things are patterned; a prototype; and an ideal example.
Archetypal literary criticism is most famous theory written by Northrop Frye. Archetypal literary that interprets a text by focusing on recurring myths and Archetypal in the narrative symbols, image, and character types in literary work. As a form of literary criticism, it dates back to 1934 when mauled bodkin published Archetypal patterns poetry. Archetypal literary criticism origins to are rooted in two other academic disciplines, social Anthropology and psychoanalysis, each contributed to literary criticism in separate ways, with the latter being a sub-branch of critical theory. Archetypal criticism was at it most popular in the 1940s and 1950s largely due to the work of condition literary critic Northrop Frye. Though Archetypal literary criticism no longer widely did not practice nor have there been any major developments in the field, it still has a place in the tradition of literary studies.
Archetypal criticism as “A new poetics”:
Archetypal  criticism as a most of a new poetic. Frye; this “new poetics” is to be found in the principal of the mythological framework, which has come to be known as “Archetypal criticism”. It is through the lens of this framework, which is essentially a centrifugal movement of backing up from the text the towards of literary criticism becomes apparent essentially, “what criticism can do” according to Frye, “is awaken students to successive levels of awareness of the mythology that lies behind the ideology in which their society in doctrinaires them”. The student is great and makes a great structure.
 That is, the study of recurring structure pasterns grants students an emancipation distance from their own society, and gives theme vision of a higher human state the logician sublime. That is not accessible directly through their own experience, but ultimately transforms and expands their experience, so that the poetic model he terms a “kerugmatik mode” , myths become “myth to live by” and metaphors “metaphors to live In ”which  not only   work for us but constantly expand our horizons , we may enter the world of and pass  on to others  what we have found to be  true for ourselves “.
As important antecedent of the literary theory of the Archetype.
Archetypal criticism was the treatment of myth by a group of computer.
Northrop Frye working in the field of literature defined Archetypes as a symbol, usually an image. Gerald gannet as the structuralist, no story perfectly match the archetype and some stories will diverse from the archetype more than the others.
Archetype can be:
·       Symbol
·       Image
·       Characters
·       Plot structures
They are revealed in:
·       Myth
·       Religions and folklore
·       Dream and fantasies
·       Literature, dream and film
Archetypal criticism is character type, story Lines, setting, and symbol. According to Jung, these a pattern are embedded deep in the “collective unconscious” and involve “racial memories” of situations. Event, relationship from time immemorial.  Northrop Frye’s book “The Anatomy of Criticism” views literature as an   “autonomous language” and words as a signs that contributed to the organizing structural pattern or “conceptualize myth” of which the work is one example.
Frye proposes for “Mythos” for major genre associated with the season of the year:
1.   Comedy – Spring
2.   Romance – Summer
3.   Satire and Irony  – Winter
4.   Autumn – Tragedy



Literary critics who subscribe to Jung’s Archetypal theory seek to identity. Archetypes and trace pattern in diverse literary work across eras and cultures. One of the most often trace Archetypal patterns is that of the quest by the protagonist, who must leave her home, travel into unfamiliar territories, meet a guide, endure dangerous  situations and adventures, rich the object of her quest, gain important new knowledge, and return home with that knowledge to share with the others.
Archetypal pattern and the tensed structural of the masterpiece and the vibrate in such way that a sympathetic reasons is set of deep within reader.
·      Comedy=spring :
Comedy is aligned with a spring because the genre of comedy as a characterized by the birth of the hero, revival and resurrection. Also spring symbolize the defeat of a winter and darkness.
·      Romance=summer:
Romance and summer are paired together because summer is the culmination of life in the seasonal calendar, and the Romance genre culminates with some sort of a triumph, usually a marriage.
·      Satire=winter:
Satire is a metonym zed with a winter on the grounds that a satire is a “dark genre”. Satire is a disillusion and mocking form of the three other genres. It is noted for it darkness, disillusion, the return of a chaos, and the defect of the heroic figure.
·      Autumn=tragedy:
Autumn is the dying stage of seasonal calendar, which parallel the tragedy genre because it is, known for the “fall”, or a demise of the protagonist.
The context of a genre determines and highlighted of the autumn is tragedy Shawn:
·      The world of human:
The comedic human world is representative of wish-fulfillment and being community centered. In contrast, the tragic human world is of isolation, tyranny, and the fallen hero.

Animals in the comedic genres are docile and pastoral, while animals are predatory and hunters in the tragic.
·      Realm of vegetation:
For the realm of vegetation, the comedic is, again, pastoral, but also represented by gardens, parks, roses and lotuses. As for the tragic, vegetation is of a wild forest, or as being barren.
Cities, temples, or precious stones represent the comedic mineral realm. The tragic mineral realm is noted for being a desert, ruins, or “of sinister geometrical images”

Lastly, the water realm is represented by rivers in the comedic. With the tragic, the seas, and especially floods, signify the water sphere.

Northrop Frye admits that his schema in “The Archetypes of Literature” is simplistic, but makes room for exception by noting that there are neutral archetypes. The example he cites are islands such as Circe’s or Prospero’s which cannot be categorized under the tragic or comedic.





 




what dose 'Arnold mean by 'Anarchy' in society in culture and Anarchy

Name: Goswami Gayatri Mahipatgiri
Paper: 6, MA –part -1-SEM -2
Topic: what dose Arnold mean by anarchy in society in culture & Arnold
Submitted to: department of English, maharaja Krishna kumarsingji Bhavnagar University


v Introduction of Matthew Arnold :

·       Matthew Arnold born in 1822
·       Died in 1888
·       The year’s marked the centenary of Byron’s birth
               
                          The time celebrated its one hundredth anniversary. Sixteen miles west of Landon, the eldest son of Thomas Arnold historian and headmaster of rugby school. The family moved to rugby in 1828 when Thomas Arnold took up his past as headmaster at the school. the future poet .Arthur Hugh clough, became a pupil in 1829,and though four years older than Matthew Arnold ,became a lifelong friend and correspondent. At this time the family began to spend their summers in the Lake District, and in 1830, Matthew Arnold first met the poet William Wordsworth. Although remembered now for his elegantly argued critical essay Matthew Arnold (1822-1888) began his career as a poet, winning  early recognition as a student at the rugby recognition as a student at the rugby school, Arnold also studies at Balliol college, oxford university .and 1844, after completing his undergraduate degree at oxford. Arnold became a first professor to lecture in English rather than Latin.
During this time Arnold wrote the bulk of his most famous critical work, essay, in criticism (1865)and culture and Anarchy (1869_) .in wich he sets forth ideas  that greatly reflect the predominant values of the Victorian era .


v Matthew Arnold work as a novelist and poet :


                 Arnold work is meditative and rhetorical, Arnold poetry often wrestles with problems of psychological isolation. In “to morquelity contived” for example Arnold revises Donne’s assertion that “no man is an island” in the sea of life Enisland”. Other well know poems , such as “Dover Beach” link the problem of isolation with what Arnold saw as the smaller, or less in number faith of his time . Despite his own religious deubts, a source of great an anxiety for him, in several essays, however, were those literary topics. In the foundation of criticism and the study of poetry Arnold called for a new epic poetry: a poetry that would address the moral need of his readers, “to Animate for a renewed religious faith and an adaptation of classical esthetic and are moral.


v Plot of culture and Anarchy :

ü Culture and Anarchy major work of criticism
ü Culture “the study of perfection”
ü Arnold classified English society into the barbarians.(with their lofty spirit, serenity and distinguished manners and their inaccessibility to ideas).
   
               Matthew Arnold, in the first chapter of “culture and Anarchy”-“sweetness and light” has tried to show that culture is the study and pursuit of perfection and sweetness and light, art the main characters. But hitherto he has been insisting chiefly on beauty, or sweetness, as a character of perfection. To complete rightly his design, it evidently remains to speak also of perfection. in this chapter to bring home  his point of anarchy of perfection, and  of culture as giving us light in culture and anarchy . Matthew Arnold sought a center of authority by wich the Anarchy caused by the troubled passage of the reform bill of 1867 might be regulated. At best his style is clear, flexible, and convicting. He wrote in such a complicated mood of indignation, impo0ietnce, and fear, however, that his style and his argumentive method are frequently repetitious and unsystematic.


v  Anarchy in society:

   Anarchy has more than one definition, some used the term “Anarchy” to refer to a society without a publicly enforced government when used in this sense, and Anarchy may or may not be intended to imply political disorder or lawlessness within a society. Many Anarchists complain with Anselme bellegarrigue that vulgar error has taken Anarchy to be synonymous with “civil war”.

         Most individuals who self –identity as Anarchists use the term to imply a system of governance, mostly theoretical at a jurisdiction level. There are also other forms of Anarchy that attempt to avoid the use of coercion, violence, force and authority while still producing a productive and desirable society activity. Than liberty becomes liconce and in organized society Anarchy brake out. Arnold critic  believe in action and not in aesthetic detachment .if this culture a spirit of a cultivated is blind to the existing evils of society or if of being and  this culture is in danger  enemy to all reform and reformer, then that culture is bound to become all moonshine. Arnold critic believes in action and not in esthetic detachment. Arnold’s culture may bring about a spirit of cultivated inaction.     

v How does this effect the working class?

                         The poor working class pressed by the hard daily compulsion of material wants is lured by the political ideal of personal liberty. That is, right to do as he likes for an individual. The modern spirit of freedom wich boils down to a blind faith in doing what one likes and in machinery, “so the working in Arnold’s time, is asserting their light to do what they like, meet where they, meet where they like and enter where they like. And all this tend to Anarchy. These acts of toadyism of the messes are only the assertion of their personal liberty .this is to be tolerated without a protest as every man has a right to do what he likes. The rule of reason is banished from the society .culture alone can counteract the tendency to anarchy in England of Arnold’s age.

“Culture can remedy Anarchy in society”.
The authority of right reason derived from culture.
“to this end culture must find all kind of Anarchy in our society”.


v Culture and Anarchy in society:
  
·       Culture:

Culture is ought to be, the study and pursuit of perfection: and that of perfection as pursued by culture, beauty and intelligence, or, in other words
Wetness and light, are the main character.

Anarchy:

Doing as one likes may become an anti-social activity. This political mistn and it may lead to Anarchy.


            Culture and Anarchy foremost design in writing this preface to address a word of exhortation to the society for promoting Christian knowledge, in the essay wich follows, the reader will often find bishop Wilson quoted. The disparages of culture make its motive mere exclusiveness and vanity. The culture which is supposed to plume itself if on a smelting of Greek and Latin is a culture which is begotten by nothing so intellectual as curiosity; it is valued either out of sheer vanity and ignorance, or else an engine of social and class distinction, separating its holder, like a badge or title, from other people who have not got it no serious man would call this culture.


ü Human Bing is do it logical argument is the petionality.
ü It was first used to emphasize national and traditional culture, including the new concept of folk culture.
ü It was used altak what was seen as the mechanical character of  the new civilization
ü Than emerging Bothe for its abstract rationalism and for the inhumanity of industrial development.
ü Culture of social and economic groups within a nation.
ü Culture is a independent
ü Culture and cultural and subculture


Culture another view. In wich not sole by the scientific passion, the sheer desire to see things as they are, natural and proper in an intelligent being, appears as the ground of it. culture is then properly described not as having its origin in curiosity , but as having its origin in the love .to compete rightly my design , it evidently remains to speak also of intelligence,  or light, as a character of perfection  .it is impossible that all these remonstrance’s and reproofs  should not affect me and I shall try my very best, in completing my design and in speaking of light, to profit by the objection  I have heard and read ,and to drive at practice as much as I can, by showing the communication and passages into practical life from the doctorial wich I am including.  




irony and style in sense and sensibility

Name: Goswami Gayatri Mahipatgiri
Paper: 5- The Romantic Literature
MA –part -1-SEM -2
Roll no.:09

Topic: Irony and Style in Sense and Sensibility
Submitted to: Department of English,
Smt. S. B. Gardi
Maharaja Krshnkumarsinhji Bhavnagar University


*        Introduction of Jane Austen:
      
·       Jane Austen was born in Hampshire, the united kingdom December 16,1775
·       Died July  18, 1817
·       Genre : literature and fiction, romance


*         Jane Austen works of romantic fiction, set among the landed gentry, earned her a place as one of the most widdly read writers in English literature.
*     Her realism and biting social commentary commenting her historical importance among scholars and critics
*     Austen’s works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th century realism.
*     Austen lived her entire life as part of a close knit family located on the lower fringes of the English landed gentry. She was educated primarily  by her father and older brother  as well as through her own reading .the steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her tanager years unfill she was about “35 years” old.
                                 

                                             During this period, she experimented with various literary forms, including the fourth. from 1811 until 1816, with the release of sense and sensibility .pride and prejudice, Mansfield park and Emma she achieved success as a published writer ,she wrote two additional novels , Northanger abbey and persuasion, both  published posthumously in 1818, and began a third ,wich  was eventually titled sandstone , but did before completing it. 

                                          Austen’s works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th century realism. Her plots, though fundamentally comic, highlight the dependence of woman on marriage to secure social standing and economic security.

Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew’s memoir of Jane Austen introduce her to a become widely Accepted in academia as great English writer.
The second half of the 20th century saw a proliferation.

*  “ Irony in sense and  sensibility”:

·       “she was a woman who spent her days in sitting , nicely dressed, on a safe doing some long piece of needlework of little use and no beauty , thinking more of her pug than her children ,but very indulgent to the latter when it did not put herself to inconvenience.
·       “Irony” is one of Austen’s most haricot eristic and most  discussed literary techniques. She contrast the plain meaning of a statement with  the comic, undermining the  meaning of the original to create ironic isjunctions .in her juvenile works , she relies upon satire , the article is about the genre. For the mythological creature, so satyr.
·       “Satire”  is  a  genre of literature, and sometimes graphic and performing arts.  In wich vices, fillies, abuses, and shortcoming are held up to ridicule, ideally with the intent of shaming individualism, corporations, government or society itself, into improvement. Although satire is usually meant to be humorous ,its  greater purpose is often constructive social criticism , using wit as a weapon and as a tool to draw attention to both particular and wider issues in society.
·       A feature of satire is strong irony or sarcasm in satire, irony is militant but parody , burlesque, exaggeration, juxtaposition  comparison , analogy , and double Dendrite are all frequently used in satirical speech and writing.

“she relies upon satire ,parody , and irony based on incongruity”
·       Here mature novels employ irony to foregrounds social hypocrisy .in particular Austen uses irony to critique the marriage market.
·       For example :
Perhaps the most famous example of irony in Austen is the opening  line of pride and prejudice.
‘it is a truth universally acknowledged , that a single man be in want of a wife”. A first glance the sentence is straightforward and plausible , but the plot of the novel contradicts it:

       It is women without fortunes who need husbands and seek them out. By the end of novel ,the  truth of the statement is acknowledge only by a single character ,mrs. Bennet a mother sacking husbands for her daughters , rather than the entire world . Austen irony goes beyond the sentence level. As Austen scholar Jan Fergus  explain , “the major structural device of ironies within the novel’s action wich ,like parallels and contrasts , challenge the reader’s  attention’s  and judgment  throughout, and in the end also engage his feelings.

*      Irony in Jan Austen’s novel :
*      The use of irony in Jane Austen’s novel:
    

           In the context of Austen, irony is best understood as a mode of expression  that  calls into question the way things  appear. As Marvin mud rick remark, ‘irony … consists and pretension, between   being and seeming , between …man  as he is and mass  as a kind of relief from man’s  involve met toward delusion and error’.


              Austen, however, used irony for satiric as well as comic effect. Often, then the ironic comments in her novels do more than exposed her character’s misguided  assumption ; irony helps her condom the social norms that helps foster such beliefs.

                   

               In Austen’s   novels appear in immamorable ways ,it is occur during a verbal exchange for instance, in sense and sensibility , this is how Elinor defends colonel Borden’s use  of a bland waistcoat .that he been only in a violent fevet, you would not have despised him half so much .


*    For example:
In Emma, the fact that Emma blithely idealized a portrait of Harriet smith underscores the fact that Emma imagines much that is not true about her Newfield.

Austen’s irony may also depend upon a disparity between what can be seen and what is invisible. Willoughby’s person and air are equal to what for the hero of a favorite’s story’; however, he behaves like a cad.

ü Austen uses irony as a means of moral and social satire.
ü Her sentences  ,while usually simple and direct , contra
ü Contain within them the basic contradictions with reveal profound insight into character and theme.
ü  This is most obvious in her blunt character sketches.
ü Her irony ranges from the gentle to the severe.
ü It is quite ironic scene of the novel.
ü Jane Austen has used irony to bring out the inward consciousness and hypocrisy of individuals and society of the time
ü These all aspects of ‘irony’ can be found in the novel sense and sensibility by Jane Austin.  

*    Austin’s portrayal of sir john Middleton and Lady Middleton is also ironic in the sense that Austen highlights their idle existence.

v   Austen’s writing style in sense and sensibility :

Jane Austen is considered to be one the world’s greatest novelist .the earliest novel, sense and sensibility, is the story two sister who must grow in opposite ways.

ü Austen distinct style is evident throughout
The novel .Austen creates a world that is indirect but realistic .the reader must evident throughout the novel. 


*    Sense  and sensibility in writing style of Jane  Austen:

Parody and Burlesque



                            
Irony
Conversation and language
Genre
Realism
Free indirect speech
 














Parody and Burlesque:
In Northanger Abbey, Austen parodies the Gothic literary style that was popular during the 1790s. Pride and Prejudice which begun as an Epistolary novel. Parody and Burlesques of popular 18th century genres, such as the sentimental novel.
Irony:
She contrasts the plain meaning of a statement with the comic, underling the meaning of the original to create ironic disjunction.
Free indirect speech:
Austen is most renewed for her development of free indirect speech, a technique pioneered by 18th century novelists Henry Fielding and Frances Burney.
Conversation and language:
“Then” , observed Elizabeth “you must comprehend a great deal in your idea of an accomplished woman”. Conversation contain many short sentences, question and answer pairs and rapid exchange between characters.
Realism:
The extent to wich Austen’s novels are realistic is vigorously debated by scholars. The lack of physical description in her novels lends them an air of unreality. In Austen novels, as page notes there is a conspicuous absence of words referring to physical perception the world of shape and coloure and sensuous response.
Genre:
Jane Austen famously wrote to her nephew James Edward Austen that his ‘strong, manly, spirited sketches full of aboriety and glow’ would not fit on the little bit of irony on which work with so fine a brush, as produce little effect affect after much labour.
Jane Austen distinctive quality different type of the use writing style in the novel. Literary style relies on a combination of parody, burlesque, irony, free indirect speech, and a degree of realism.
She uses to parody and burlesque for comic effect and to critique the portrayal of women in 18th century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony. She often create an ironic tone through free indirect speech critics believe Austen’s characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen fails into a tradition of realism because of her finally executed portrayal of a individual character and her emphasis on “everyday” others connected that her characters lack a depth of feeling compared with earlier works and that is combined with Austen polemical tone, place her outside the realist tradition.